Louise Brigham’s Box Furniture: A Visionary Ahead of Her Time
- Cake
- Jun 23
- 3 min read
Imagine a time when women were rarely heard, let alone celebrated for their ideas.
Now picture Louise Brigham, a designer in 1909, turning old packing crates into furniture that anyone could build—tables, chairs, even desks—proving creativity thrives in the toughest constraints. Her “Box Furniture” wasn’t just about crafting objects; it was about empowering anyone, rich or poor, to build a home with their own hands, defying the barriers of poverty and gender.
As a product designer, I’m inspired by her defiance of a man’s world and her belief that everyone deserves the pride that comes from crafting something with their own hands.
In today’s blur of multitasking (cooking, listening to a podcast, while texting), Brigham’s story feels like a wake-up call. She reminds us to slow down, get creative, and, yes, think outside the box (pun intended). Whether you’re a designer or just someone who loves a good idea, her legacy invites you to pick up a tool and build something truly your own.
Building a World of Your Own
Louise Brigham was born in 1875, when women were expected to marry, not make history. But her story is one of a creative spark that refused to be dimmed. As a young woman, she dove into art school in New York, sketching bold designs. Most women of her time would’ve stopped there, boxed in by society’s rules. But not Brigham. Orphaned young, Louise Brigham got just enough cash to chase her dreams, but it was her sharp, unstoppable designer’s eye that really broke barriers.
When she traded art school for social work in Cleveland, people thought her creative days were over. But in the gritty reality of a poorhouse, surrounded by struggling families and piles of scrap wood, her talent found a new purpose. She didn’t just see discarded crates; she saw tables, chairs, and a way to build dignity. For designers, her story is a masterclass in resilience: no matter where life takes you, a true gift for design will always find a way to shine. And for Brigham, that gift was about to spark a revolution!
For more examples of her furniture, I recommend Professor of Art Antoinette LaFarge's video, where she talks about her book called "Louise Brigham and the Early History of Sustainable Furniture."
Box Furniture: From a Campfire Spark to a Movement
In the summer of 1906, Louise Brigham found herself in a cold, remote mining camp in Spitsbergen, Norway, far above the Arctic Circle. With no lumber to spare, she turned to the only material at hand: discarded packing crates. What began as a practical solution for her portable home became a revolution in design. Her 1909 book, Box Furniture: How to Make a Hundred Useful Articles for the Home, was the world’s first DIY furniture catalog, a testament to her irrepressible creativity and her belief that anyone could build a better life with their hands.

Brigham’s designs were as clever as they were simple: modular tables, chairs, and desks, crafted from crate wood to fit the cramped homes of the working class. Trained in woodworking at Sweden’s Nääs School of Crafts and Copenhagen’s National Industrial School, she brought a craftsman’s precision to her work, detailing everything from basic tools to sturdy joints in her book. Illustrated by Edward H. Aschermann, Box Furniture included vivid drawings of each piece and 15 room setups, complete with notes on colors, motifs, and materials.
For designers, it’s a masterclass in form meeting function—clean, accessible, and sustainable.

Decades before Gerrit Rietveld’s 1934 Crate Chair brought crate wood to modernist art galleries or Enzo Mari’s 1974 DIY plans challenged consumerism, Brigham was using scrap wood to empower. Her goal wasn’t just aesthetics but transformation: helping people furnish their homes and learn a craft. Through her Home Thrift Association, founded in 1910, she taught over 600 New York kids to build furniture in its first year alone.
As a woman in a male-driven industry, her leadership in writing, lecturing, and teaching was quietly rebellious, proving that design could be a tool for social good. Brigham didn’t just think outside the box; she turned the box itself into a symbol of independence and possibility. Yet, like so many female designers, her name rarely appears in history books, overshadowed by her male peers. As a product designer, I believe it’s vital to lift up pioneers like Brigham, whose vision and courage reshaped what design can do. Let’s honor her by picking up a tool, slowing down, and crafting something with our own hands! Because every act of creation keeps her rebellious spirit alive. Read 10 valuable insights about interior design that you wish you knew earlier.

At Cake, we create things we love and feel passionate about: home and style pieces that tell stories, connect people, and have something unique to offer. This keeps us centered - we don’t follow trends or fads. Customers must keep loving and using their items.
When it doesn’t go out of style, it has staying power and becomes more sustainable.
Cake aims to enrich your day-to-day life with sustainable, high-quality, and timeless goods.
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